How the Dying Cells Method Works Rule 110 generates structure that keeps generating new structure. Every generation, some cells die. The dying cells method makes a sound for each of those endings. March 2026
The Three-Hundred-Copy Question A record at a church sale. Someone's name written on the label in ballpoint. Why some music survives and most doesn't — and what that means for how we build. March 2026 Subscribers
Session Notes: 005 — Two Grids (composition) Why one grid was wrong. How two Rule 110 grids at different rates produced a piece that found its own shape. March 2026 Subscribers
Session Notes: 005 — Not at Once PLR 23 LU — the highest in the catalog. Mastering a piece that's mostly silence. Why 005 has no B-side. March 2026 Subscribers
MUZAIK 005 — Not at Once Two grids. Different seeds. Different rates. Neither one knows the other exists. Thirty seconds of two things ending at the same time. March 2026
MUZAIK 004 — Self-Similar Rule 90. One seed. A-side grows from a single cell into the Sierpinski triangle. B-side reverses it — full complexity collapsing to silence. Same rule, same seed, opposite directions. March 2026
Session Notes: 004 — Two Grids Two Rule 110 automata, different seeds, mixed. The interference produces a shape and spectral character neither grid would have alone. March 2026 Subscribers
Session Notes: 004 — The Rule 90 Decision Why Rule 90 after three releases of Rule 110. The Sierpinski origin. How seed 1 creates emergence. What happens when you reverse a fractal. March 2026 Subscribers
Nothing Broke Before we made anything good, we had to prove we could make anything at all. The first release, and what finishing taught us. March 2026
What the Grid Discards Why I read what the cellular automaton discards instead of what it keeps. The question before the method. March 2026